Nusrat Fateh Ali Khan, Live At National Theatre Tokyo
The following Songs were recorded during NFAK’s first visit to Tokyo in 1987. He was invited to perform at the prestigious National Theatre first for a series of performances & later at the King’s Residence, who was deeply moved by NFAK’s music. The response & respect NFAK got at Japan, moved NFAK himself, making it his favourite visiting country.
So here are the audio recordings of the concert. Listen to Haq Ali Ali Especially (you might not notice but NFAK sang it in with a five notes scale, the usual Japanese music trend).
And here we go:
AAH- Nusrat Fateh Ali Khan was a Tribute programme released right after death of NFAK in 1997 as a 2-set Audio CD. The program Featured a compilation of NFAK songs, specially the remixed & hip-hip recordings famous in Pakistan that time. It also featured a narration of NFAK’s biography and legacy in between the songs. One of the good compilation programs indeed.
Tracks:-
• Kise Da Yaar Na Vichde
• Aj Yaadan Terian Aayan
• Akhian Udeek diyan
• Saano Ik Pal Chan Na Aaway
• Ghum Hai Ya Khushi
• Lagian De Dukh Vakhre
• Teri Yaad Teri Yaad
This audio was recorded in Anand Bakshi’s house in 1997 during a NFAK Welcome Party, many guest celebrities were present to meet NFAK … and Anand’s Bakshi forced NFAK to sing hislatest composed “Ishq Di Galli Wich ” ..
“Ishq Di Galli Wich ” was a uper-hit song from movie “Kachche Dhaage” , composed by NFAK. However he offered the song to Hanj Raj Hans (who did a good job) , wonder how it would have been if he wound have sang it himself
Take a look…
Recorded Song:
Did you feel the difference between good and great?
Ray Khan sits in for Rupal and invites Malkit Singh to talk about his experiences of meeting the Ustad, and he’ll be performing a couple of his favourite Qawwali’s live in the studio.
Amir Khusrow once said ‘ Music is the fire that burns heart and soul.’ In the 20th century Nusrat Fateh Ali Khan was the carrier of that fire
Amir Khusrow was not just the inventor of Many forms of music including Qawwali, but also a true philosopher and one of the greatest poets ever. NFAK started his musical journey in 1975 with an Amir Khusro’s ghazal in Jashn-e-bahara festival pakistan. Many great Pakistani singers heard NFAK there and showed lot of appreciation and love, which was the biggest motivation point for him ever, he was also given 500 rupees by a singer which used to be a great deal of money in those days. NFAK’s performance at Amir Khusro’s 700th anniversary was nothing less than special, it was this day when he was titled “Khusrau–e–Sani” meaning Equivalent to Khusrow . He later went on to sing many of Khusro’s poems with great compositions making them a forever saga. Though NFAK is forever in-debt to Khusrow for his poems and invention of Qawwali music, Khusrow himself remains in-debt to NFAK for keeping his poems alive for ever. What follows are some great NFAK-Khusrow tracks
NFAK Performing At 700th Anniversary Of Amir Khusraow